Cultural appropriation. Misogyny and racism. Social media vanity. Post-colonialism and political correctness. These are not talking points that you’d ordinarily hear on the dancefloor but Charlotte Adigéryand Bolis Pupul are ripping up the rulebook with their music. The Ghent-based duo, who broke out with their 2019 Zandoli EP on Soulwax’s record label DEEWEE, are rare storytellers in electronic music: they take the temperature of the time and funnel them into their playful synth concoctions –never didactic and always with a knowing wink.
Cultural appropriation. Misogyny and racism. Social media vanity. Post-colonialism and political correctness. These are not talking points that you’d ordinarily hear on the dancefloor but Charlotte Adigéryand Bolis Pupul are ripping up the rulebook with their music. The Ghent-based duo, who broke out with their 2019 Zandoli EP on Soulwax’s record label DEEWEE, are rare storytellers in electronic music: they take the temperature of the time and funnel them into their playful synth concoctions –never didactic and always with a knowing wink.
